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Sendai Mediatheque (Tokyo, Japan) - Toyo Ito 1995-2001
face a giant aquarium tank means feeling a sense of curiosity be contemplated neously in two places. With one wall transparent intermediate, "here", on this side, the land is surrounded air, while "there", on the other hand, opens a water world. [...] My initial image for a project implementing lment in construction (Sendai Mediatheque) was an aquatic scene. A transparent cube, located in the heart of the city, overlooking a beautiful avenue lined with large cedars for es'innalza seven floors of a square with sides of fifty meters. Seven floors are governed by thirteen thin tubular structures. Each element is a tube does not irregular geometry and resembles the root di un albero che cresce in spessore verso l’alto.[…] Nel margine accanto ai miei primi schizzi degli elementi tubolari avevo scritto: Colonne come alghe. Avevo immaginato dei tubi morbidi che ondeggiavano lentamente sott’acqua, dei tubi di gomma riempiti di fluidi.
. Toyo Ito, Three Tr asparences , in Nuno Nuno Books: Suke Suke , Tokyo, 1997, p. 19-23 (traduzione dal giapponese in inglese di A. Birnbaum) .

Ad ogni periodo storico corrisponde un modo di rappresentazione e di comunicazione, how the perspective in the Renaissance or the method of Monge's industrial period, and ogg the the tool is given by ' computer with its pixels. Everything has become digital, we tend to think, analyze and control using software (as shown by the bold designs of Gehry and Hadid or the automation of building envelopes, solar shading, etc), cities are invaded by screens so that it becomes a connector between the various parties ( the jump): dimensional change their skin as needed, and the depth projected into another dimension.
Given that architecture is the mirror of t the company, if the industrial period is aimed to create a car today you look at the computer, with its thousands of connections, resources and space-time where the subject looks and decides. We are moving towards a ' architecture that "exceeded the objectivity needs to address the subjectivity of desires" and unite the various disciplines to reconnect systems separated by the industrial zoning, providing for the creation of urban landscapes and consequently changing design processes.
The diagram now becomes the basis for growth because of the work we analyze the possibility and the variables that affect the design choices and leave freedom of future development, also the ' interactivity becomes the means and the end of the new Iperarchittetura. The interaction arises in the subject in the center of ell'opera, plays with the time-space links, continually creating metaphors and connections between existing and future, in a continuum fluid .
Fluid: Light, evolving, changing, dynamic, liquid.
adjectives become subjects described in the creations of Toyo Ito, who has always orientato verso la liberazione dell'architettura dal peso della gravità. L'apice della sua poetica è stata raggiunta con la Mediateca di Sendai, inquadrata in una rigida maglia urbana con affaccio su un viale alberato, ma non per questo soffocato dalle preesistenze.
Il complesso si a rticola in 7 piani che ospitano differenti funzioni di studio e svago e, proprio perchè deve accogliere chi deve formare la sua mente ed aprirla alle conoscenze, si crea un luogo open to communication with the symbol itself around network communication.
Dall ' basic idea of \u200b\u200ban aquarium floating, alive thanks to the beings that inhabit it, Ito lays bare the soul by depriving the building of the outer and the plots show as a jellyfish that reveals all its vital joints.
Natural light is the true star, allowing even more the effect of suspension system created by the structural floor slabs and steel encased in concrete pylons to "seaweed" that unite the various plans.
Ito è riuscito a dare forma alla moderna Iperarchitettura che è metafora del mondo, in questo caso della comunicazione, e contemporaneamente creatrice di metafore, qui continue relazioni con l'esterno reale (attraverso la trasparenza) e virtuale (con le reti tecnologiche che ospita). Questa opera è emblematica della necessità di utilizzare l'interattività nella città moderna poichè solo attraverso il suo uso si crea una rete di relazioni completa ed efficiente, in cui tutti possono viaggiare allo stesso modo senza ostacoli.